Depending on the Camera Names option that you select, the camera angles are displayed as track names, clip names, or camera numbers in the Source Monitor. To view the multi-camera sequence in the Source monitor , right-click the sequence and select Multi-camera. Premiere Pro lets you organize and select the angles to view in the Source Monitor's multi-camera mode.
In the Edit Cameras dialog box, all the clips are listed in the original order that they were arranged in the sequence tracks. You can drag-and-drop the clips to change the sequence order. You can also enable or disable the clips by selecting or deselecting them. You can organize and select cameras in multicam view across multiple pages.
You can set the number of camera sources per page and navigate between pages as needed. You cannot drag-and-drop cameras to different pages or within a single page. However, you can use the Edit Cameras dialog box to change the order of cameras in a multicam sequence and the pages reorders accordingly. In the Program Monitor, you can browse through the multi-cam pages using the controls that are highlighted in the following image.
In Premiere Pro, the Multiclips sequences appear as multi-camera sequences with all the Final Cut Pro project settings intact. Legal Notices Online Privacy Policy.
Buy now. User Guide Cancel. Multi-camera editing workflow. Create a project. Import footage. Create a multi-camera source sequence. You can create a multicam source sequence in the following ways: Select a bin containing assets and choose a sync method from the Create Multi-camera Source Sequence dialogbox.
All clips in the bin are processed based on the sync method and ordered alpha-numerically in each resulting source sequence. Select assets manually and choose a sync method from the Create Multi-camera Source Sequence dialog box. The order in which you selected the clips determines the order in the resulting source sequence.
Create a multi-camera target sequence. Edit the multi-camera source sequence in a target sequence. Enable multi-camera editing in the Program Monitor. Enable recording of multi-camera edits.
Edit the multi-camera sequence. Adjust and refine edits. After you have recorded your multi-camera edit, you can do the following: Rerecord the final sequence and substitute clips with footage from one of the other cameras.
Edit the multi-camera source sequence as you would any other sequence—using the standard editing tools and techniques, adding effects, compositing using multiple tracks, including adjustment layers. Change cameras after they have already been recorded. Cut to a new angle. Export the multi-camera sequence. Mark clips for synchronization. Open each clip and then do one of the following at the sync point: Mark an In Point at a sync point at the beginning of a clip.
For example, mark an In point where the clapperboard slate is clapped at the head of a clip. Mark an Out point at a sync-point at the end of a clip.
For example, mark an Out point where the clapperboard is clapped at the tail of a clip. Make a clip marker at a sync point at any point during a clip. For example, if there is action at any point during a clip that can be used as a sync-point, like an audio cue, cymbal crash, or a camera flash. Rename each marker so that they are identically named for synchronization. Type the same clip marker name for each clip in the Marker dialog box, and then click OK.
See Add markers in the Timeline. Use the Multi-camera Source Sequence dialog box. Multi-camera source sequence name. Alternatively, select Custom from the pop-up menu, and enter a custom name in the text box.
Manage Multi-cam thumbnails in the Project panel You can control which camera angle is in the thumbnail in the Project panel. For more information, see Keyboard shortcuts in Premiere Pro. You can use these shortcuts on one or a selection of Multi-Cam clips. To set camera angle using keyboard shortcuts:. Select one or more Multi-cam clips in the project panel. Keyboard shortcuts to move poster frame.
Synchronize Point. Timecode Select the Timecode option to synchronize the clips if they were recorded with timecode in sync with each other. The Align Timecode option is also checked by default to align the media file's source timecode to the clip being linked. At any point later, you can open the Link Media dialog box and relink the offline clips in your project by doing one of the following:. You can manually find and reconnect the media that Premiere Pro is unable to automatically relink.
To do so, in the Link Media dialog box, click the Locate button. The Locate File dialog opens with the closest existing directory showing up to three levels. If no exact match is found, the directory is displayed considering where the file should have been, or the same directory location as the previous session. The Locate File dialog displays the file directory listing using the Media Browser user interface by default.
You can manually search for a file within the Locate File dialog by clicking Search. Looking at the Last Path can help you locate the exact missing file easily and quickly. You can edit the Path field. If necessary, you can copy the full path or a segment of the path from the Last Path string, and paste it into the Path field. This option is especially useful to quickly help locate the path to the missing file. To help you narrow down your search results, the Locate File dialog also provides you with advanced filter options, like displaying specific file types and selecting Display Only Exact name Matches.
In addition, you can switch from a list view to a thumbnail view for a visual confirmation of a specific media file. How to import and relink media. Follow this project-based tutorial to learn how to get your video, audio, images, and other assets into Premiere Pro.
You can still apply a look or preset within Premiere Pro, but this will now be recognized as values on SpeedGrade for further customization. Many users have complained at the adoption of a subscription only service for all future software releases.
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